The Swing Out Gazette
No. 2 · Vol. ISaturday 24 October 2026London · Devon · Cardiff · Bristol · 19 more · More towns weekly
The Dance Floor Guide

Balboa: The Smooth, Speedy Swing Dance from California

Balboa is the swing dance of tiny footwork, close embrace and impossibly fast music. Here's how a style born on a Californian peninsula found a devoted following in UK swing scenes.

What is Balboa?

Balboa is a close-embrace swing dance from Southern California. Partners stand chest to chest, upright and connected, and most of the action happens below the knee: small, quick, shuffling footwork that rides the music like a skimming stone. To an onlooker it can look almost still. Up close it is full of rhythm, subtle shifts of weight and playful footwork.

Dancers usually talk about two flavours. Pure Balboa stays in closed position with the partners moving together as one unit. Bal-Swing (sometimes called Bal-and-Swing) keeps the Balboa footwork and feel but breaks the embrace for spins, turns, throw-outs, dips and the odd trick.

Where it came from

Balboa grew up in Southern California in the early 1930s, alongside the rise of swing music; the earliest recorded mention dates from 1932. It takes its name from the Balboa Peninsula in Newport Beach, about 40 miles south of Los Angeles, where it was first recognised as a distinct style. There was probably no single inventor. Historians and original dancers have suggested links to the foxtrot, Charleston and Collegiate Shag, and it most likely evolved gradually on local dance floors.

The peninsula's dance halls were central. The Balboa Pavilion, built in 1905 as a bath house, was remodelled for dancing in 1923; its success led to the much larger Rendezvous Ballroom, which opened on the beach in 1928. The Rendezvous was enormous – about a city block long – and hosted big bands such as Benny Goodman and Artie Shaw. It burned down in 1935, was quickly rebuilt, and was finally destroyed by fire in 1966. Some halls of the era had codes of conduct that frowned on wild kicks, which may help explain why a compact, upright, close-hold dance thrived there.

Dancers also took the style to Los Angeles, where the more open Bal-Swing was especially popular. In the mid-1930s a dance troupe called the Ray Rand Swingers – whose couples included Maxie Dorf, Hal and Betty Takier, and others – performed at the 1939 New York World's Fair.

Balboa never quite vanished. In 1978 original dancers Ed and Inez Thompson and Hal and Marge Takier started a regular Sunday afternoon Balboa dance at a Newport Beach club, which ran for decades. In the early 1980s Sylvia Sykes and Jonathan Bixby sought out original dancers and learned from them, later teaching around the world. Maxie Dorf, known as the "King of Balboa", taught into the late 1990s. Around 2005, a concerted effort to invite surviving original dancers to share their knowledge sparked a new wave of interest that reached Europe and the UK.

How it feels and looks

Balboa feels intimate, relaxed and quietly clever. The posture is upright with gentle forward intent, as if you are both leaning into a light breeze. The lead's right arm and the follow's left create a soft, snug frame, and the connection runs through the chest more than the hands.

The basic is an eight-count pattern of small steps, usually starting with the left foot for leads. Common early moves include:

  • Up-and-back basic – shifting forward and back in a compact line.
  • Lollies – a playful kick-and-tap footwork variation.
  • Come-around – turning as a couple while staying in hold.
  • Out-and-in – a Bal-Swing move that opens the partnership and brings the follow back with a spin.
  • Throw-outs and swivels – Bal-Swing flourishes for more open, showy dancing.

Because the movements are so small, Balboa works brilliantly on crowded floors. It also suits dancers who prefer finesse over athleticism.

Music and tempo

Balboa can be danced at almost any tempo, but its reputation comes from speed. When the band plays something that would wear out Lindy Hoppers – 250 beats per minute and up – Balboa dancers often light up. The small steps and close frame make very fast music manageable and thrilling. That said, medium tempos around 160–200 BPM are where most beginners learn, and slower "smooth" Balboa can be gorgeous.

Good music for Balboa usually has a steady, driving pulse: swing-era big bands, small hot groups and West Coast jump bands all work. Our music and tempo guide explains BPM and how to find the beat.

How it relates to Lindy Hop

Balboa and Lindy Hop are siblings from opposite coasts. Lindy Hop came from Harlem's ballrooms in New York – created by African-American dancers at venues such as the Savoy Ballroom – and is circular, elastic and expansive, built around the swingout. Balboa came from Southern California's beach ballrooms and is linear, compact and close. Both are eight-count dances to swing music, and both love improvisation.

Many Lindy Hoppers learn Balboa as a second dance, especially once they discover how fun it is to have something to dance when the tempo climbs. The skills transfer well: Lindy teaches you musicality and connection, Balboa sharpens footwork and subtlety. Some UK festivals run dedicated Balboa tracks, and a few cities have regular Balboa nights.

What a first class is like

Expect to start in closed hold quite quickly. Teachers usually spend time on posture and connection – finding the gentle lean and soft frame – before teaching the basic step. Partners rotate, so you'll dance with everyone and don't need to bring a partner.

Your first class will probably cover the basic, a simple turning variation and one or two footwork ideas. Don't worry about speed; teachers use slow music at first. Many people find the closeness the biggest adjustment. It's normal to feel a little awkward; good teachers will explain how to adjust the hold so it feels comfortable and respectful, and you can always ask for a lighter connection. Our social dance etiquette guide covers consent, hygiene and other good habits for close-hold dances.

Some schools want students to have a few months of Lindy Hop first; others welcome complete beginners. Check the class listing or ask the teacher.

What to wear

Balboa is low-impact, so you don't need sporty clothes – just something comfortable and not too bulky at the front, since you'll be close to your partner. Avoid big belt buckles, chunky necklaces, and anything with hard decorations on the chest. Fresh clothes and a spare top are a kindness in any close-hold dance.

Shoes should let you slide and pivot gently: leather or suede soles are ideal. Very sticky trainers make the small shuffling steps hard work. See our what to wear guide for more.

Find a Balboa class

Balboa classes are less common than Lindy Hop, so it's worth searching widely. Try our near me search or browse all classes; many teachers also run Balboa workshops at festivals. If you are completely new to swing, a beginners' course is a great foundation. Compare it with other dances on our styles page.

Try it on the floor: How to Do the Swingout · How to Do the Lindy Circle · How to Do a Tuck Turn · The Charleston: Kicks, Swivels and a Very Big Grin

Read next

Sources

  1. Wikipedia – Balboa (dance)
  2. Lindy Circle – Balboa history
  3. Wikipedia – Rendezvous Ballroom
  4. Frankie Manning Foundation – Archives of early Lindy Hop

Last reviewed 2026-10-23.